Triggerfish, Africa’s leading animation company, has released a free course in “editing for animation” to nurture the next generation of animators.
South Africa (05 October 2021) – Thanks to a new partnership between Triggerfish and German-funded E4D launched at Cape Town International Animation Festival (CTIAF), a free course has been established online for animation hopefuls.
At CTIAF, the partnership launched a free online course on editing for animation. This is now available on Triggerfish Academy, a free digital learning platform that is opening up access to African animation industry experts.
The course is presented by Kerrin Kokot, animatic editor for a DNEG/ReDefine animation series, who also worked in the editorial department on Triggerfish’s upcoming feature Seal Team and the Oscar-nominated short film Revolting Rhymes.
Kokot also presented an editing for animation workshop at CTIAF, alongside Clea Mallinson, who recently edited Sunrise Productions’ Jungle Beat – The Movie. This was one of four workshops that the Triggerfish-E4D partnership helped bring to CTIAF: Triggerfish producer Kaya Kuhn was part of a producing panel, moderated by Pixar alumnus Esther Pearl; Kay Carmichael presented the making of Troll Girl, her debut short film, produced by her production company Giantslayer Studios and Triggerfish; and Colin Payne, Triggerfish Academy’s CEO, presented a workshop on remote working best practices, reflecting on how Triggerfish shifted to become a remote work studio during the pandemic.
Take a look at the trailer for Troll Girl below.
“While so many businesses have been taking strain during the pandemic, the animation industry in Africa has been exploding,” says Triggerfish Foundation director Carina Lücke.
“Among other recent breakthroughs for the African animation industry, Disney has ordered Kizazi Moto: Generation Fire, Kiya, Iwájú, and Kiff; Netflix is in production on Mama K’s Team 4; Cartoon Network is airing My Cartoon Friend and has greenlitGarbage Boy and Trash Can; and YouTube has renewed Super Sema for a second season. So despite everything, there’s never been a better time to be an animator in Africa.”
Gavin Watson, the team leader for E4D, says they’ve identified animation as an industry sector that is attractive to young people and is growing fast. He adds that the opportunities for animation extend outside the traditional film industry, within fields like advertising, app and web design, architecture, engineering, gaming, industrial design, medicine, and the motor industry, not to mention growth sectors like augmented reality and virtual reality.
The partnership with E4D is one of several Triggerfish initiatives to train and diversify the next generation of African animators.
Other Triggerfish initiatives include sponsoring 20 bursaries to The Animation School with MICT SETA for 2021; sponsoring the 2021 Women in Animation World Summit; and running the Mama K’s Team 4 all-female writers lab with Netflix and the pan-African Triggerfish Story Lab, supported by The Walt Disney Company, which led to Mama K’s Team 4 selling to Netflix and Kiya to Disney.